Monthly Archives: October 2012

On being a writer who learns and writes.

06 Saturday Oct 2012

Posted by in Books, Entertainemt, Movies, TV Series, Writing

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Time for reflection about being a writer.

When I was 14, I wrote a novel, not very long.  And then, I destroyed it. It was too personal, too raw, too me and I was too vulnerable, or so I thought…I wrote dozens and dozens of poems and texts. I wanted  two things : to be a writer AND to play on stage. I was an amateur theater actress and wrote in the school newspapers.

At 16, I wrote down a list of titles for the books I would wrote and a corresponding list of names, the character’s names.This list I still have with me, by my side as I write all that now, for your eyes. I kept on writing, although I had to change my professional choices. Eventually, deeply buried in those marketing jobs, I forgot about my self essential and my real life . Then one night, in August 2010, around 3 in the morning…

…I woke up. I mean, I WOKE UP to my past aspirations.  I was in the kitchen, sleep escaping me. My mind is racing.  For various reasons, over various subjects. And a thin fragile thread, long forgotten, attached to the very essential part of my soul is hit by a light I thought I had lost years ago. It was given back to me.

The energy of the writing spirit.

Now, at this hour of night, that day, I wanted to fight for that. This was the fighting spirit meeting the writing spirit. Good! Let’s go on!

So, in the heart of the night, I let the sun rise. I wrote  for 4 hours on my laptop. Characters knocked on the door of my mind, allowing themselves in, story unfolding neatly and energy increasingly awaking my creativity and my imagination…

Since then I have kept writing.

Now, I feel that I need to write more, to publish frenetically. I feel miserable taht I have not been able to give complete work to my publisher. I am affected by the virus of perfectionism. I rewrite, again and again, and again.  I got stuck on sentences for days, to achieve the ultimate construction. Letting go is difficult, and reaching a satisfying level is complexly hard. Sometimes, I think I have not done much in those past months. So I decided to summarize it.

What have I done in those past months, then? (Apart from my daily duties, of course). I did my homework and my work. And I ‘m still on it.

Firstly, I have prepared myself to properly tackle the writing of a script (because I am also a film lover since an early age) so I have :

  • read about 15/ + books on the subject ( The little red writing book, The golden book on writing –what’s this fantasy about colours??-, How to write a damn good thriller, How to write a damn good mystery, The art & craft of storytelling, A writer’s guide to fiction, The Bible of screenwriting, Crafty screenwriting, Writing screenplays that sell, Writing is a verb –oh?, The writer’s book of wisdom, See Jane write : a girl’s guide to writing chick lit, How not to write a screenplay –appealing/disturbing title, hence brilliant,  How to write what you want & sell what you write – long title, didn’t like the book, and 2 or 3 others.
  • shelled, analysed and studied about 40 scripts (and I am far from those 2/week I need to read!), among which  Eve (Mankiewicz), Body Heat (for that subtext), The big easy, Ocean’s 11 & Ocean’s 12, The electric Horseman, Howards End, Being John Malkovich, 3 Days of the Condor, Sherlock TV ep, Luther TV ep, The Prisoner TV ep, The Mentalist 4 TV ep, Scrubs  TV ep, West Wing 2 TV ep,   Amadeus, The Godfather, Donnie Brasco, Maltese Falcon, Pulp Fiction, Heat, Barton Fink, Sleepy Hollow, O Brother, Stagecoach, Night of the Hunter, The big Lebowski, The Big Sleep,  When Harry met Sally (yeah, for THAT scene, and see how it’s written), Some like it hot, etc…
  • read 7 modern plays (The Odd Couple  -his and hers- , Who’s afraid of Virginia Woolf, The importance of being earnest, Ginger ale boy and Electric ballroom by Enda Walsh, one Shakespeeare…)
  •   read 6 novels , including the wonderful War Horse,  to relax

Secondly, I have written for myself (all)  and my publisher (a very small part) and you, -soon to be mine agent  (some):

  •  a 433p techno-thriller , with 2nd and 3rd  (same hero) in the synopsis -ripening room)
  • a 2x 150p drama novel (considering compiling to make one 300p book)
  • 2 short-stories
  • a long-feature radioplay (53min)
  • a short film screenplay
  • another short film screenplay
  • a synopsis for another short film
  • an article about a painting exhibition
  • 10 songs out of 12 for a musical project (with a music composer)
  • 20 poems (some are 2 or 3p long)
  • 4 detailed synopses for novels
  • 2 detailed synopses for short-story
  • 9 detailed synopses for a TV series
  • a synopsis for a noir feature film
  • 1 fan fiction TV ep
  • a 1st draft for a 3-act play in need of rewriting, editing, finishing and trimming
  • bits and pieces to be assembled into projects
  • 10 loglines /ideas for novel/Shortstory/script.
  • posts in a blog & tweets in a twitter account

I have relaxed in watching :

  •  300 ( or more) films and TV Series episodes, of various genres. (Next thing, I must try Doctor Who) [I can watch Sherlock AND read the script in the same time while sipping coffee. I’m like Windows, I am multitask) [[Sometimes, I watch the entire series in a row until it’s über-too late]]

In the meantime, when I have an insomnia, I also have observed & studied my targets (thanks Writer’s Market and magazines and blogs and news) and prepared my business and marketing plans, established the communication plan, established a list of other  contests I want to participate to. I have a new idea for a short…

I need a coffee, now. Strong, black, ultra caffeinated. Maybe I can just chew some coffee beans… It’s faster and a lot less fussier than brewing a mug ‘o joe…

It’s going to be a short night.

So long, Folks.

Coffee and films, what could go wrong?

What if…?

05 Friday Oct 2012

Posted by in Books, Entertainemt, Movies, Writing

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The oddjobbers (writers, screenwriters and the kind) know that some of the best stories (apart from adaptations of literature pieces, remakes, documentaries, mockumentaries, historic and period dramas) started with a  seemingly übersimple child’s game : “let’s make believe that…. (I am a princess in a pea pod shaped mattress; I am a dragon slayer; Ramses, King of Egyptian people;  this mud is our chocolate pie and Mum is the Big laundrymatic Chief Lady;  I have a hammer, I am a pop singer and I smash all my toys; MY name is Han Solo and  YOU are Chewbacca; etc).”

The only difference is in the formulation : What if….?

And starting with this “what if…” postulate can lead you pretty far and produce some of the finest stories, provided your ideas are decently fueled with a good imagination. Forget narrow-minded or clichés  things, unless you twist them enough to turn them into an interesting pattern.

 

Results can be good or… not so good.

Let’s have a closer look: (remember I  talk fiction here, not historical facts nor period dramas).

Sometimes the results are just astonishing and we are being provided with great literature and films. (I leave the scientific or engineering part of this aside, its not my field).

For instance :

  • What if …a scientist wanted so bad to compete with God and created his own creature? Results : Frankenstein by Mary Shelley (1818) and James Whale (1931) [+ numerous adaptations TV, films, theater and countless spoofs & cartoons.]
  • What if…an evil man, feeding only on human blood, could transform into a bat and contaminate each person he bites? Results : Dracula by Bram Stoker (1897) and Tod Browning (1931) [+ numerous adaptations TV, films, theater and countless spoofs & cartoons.]
  • What if…aliens invaded the Earth? Results : The War of the worlds by HG Wells (1898), radioplay by Orson Welles (*wink*) 1938 and all the Alien Invasion literature & films influenced/induced by those geniuses [from The day the Earth stood still (1951) to Mars Attacks (1996) & Men in Black 3 (2012)]
  • What if …a priest wanted to protect his religious community from persecution and created an protector which later turns destructive? Results : The Golem (first writtten by Rabbi Eliyahu of Chelm (16th Century), then by Rabbi Yaakov Emden (1748), by  Franz Klutschak (1841) and film by Paul Wegener (1921)
  • What if…a school director’s wife and his mistress teamed up to murder him to get rid of him? What if he DID not actually dies and sought revenge? Result : Les Diaboliques  (The devils) by HG Clouzot (1955), (forget the remake w. Sharon Stone , it’s pathetic)
  • What if…pets and animals could talk and tell their adventures to a young Victorian aquarelist woman? Results : all Beatrix Potter’s books and Miss Potter (2006)?
  • What if…a zillionaire paid paleontologists to revive some defunct Dinosaurs species on an island, the team escaping a funest fate just in time? Results: Jurassic Park by M. Crichton (1990) and by S. Spielberg (1993) [and sequels, and spoofs and various others Jurassic monsters]
  • What if…a rejected secretary decided to turn love down, wrote a best-selling book about it- thus allowing other women to take control over their feelings, love and ensuing pain- to finally win the object of her thoughts turned true love? Result : Down with love (2003).
  • What if…a widowed woman who discovered that her husband left her broke, had an affair, eventually befriended the lover while developing a marijuana business to erase her debts and found love? Result : Saving Grace (2000).
  • What if…There was a secret passage to enter a famous actor’s mind for some minutes, allowing to control his mind and body? Result :  Being John Malkovich (1999)
  • So many others.

Yet, sometimes the results are, well, you know…so so, to put it kindly.

For instance :

  • What if…we followed the life of several teenagers on their campus and recorded their  abyssal stupidity and their gastric problems? (American pie*)
  • What if…we stuffed in so much SFX on screen, everyone will think it’s a GREAT movie? (Matrix, Thor, Iron Man 2, Spider man, Star Wars the Phantom Menace and the updated episodes, Titanic)
  • What if…we made any sequel of a any Blockbuster in the attempt to make as much money, based on the notoriety of the 1st film, hey? (Bad, bad, baaaaad idea, seldom good sequels, Jaws, Highlander, Rocky, Rambo…)
  • What if…we had NO viable idea but tried ANYWAY?  The March of the Yellow giant Raspberry (it’s a joke), Sex lives of the Potato men* (it’s not a joke), Gigli (now really, a lesbian who sleeps with men?),  Jersey girl (now really, again, a music rep in a BIG company who does not how to change his daughter’s diapers, chooses to lose his temper and trash his client Will Smith, ending in solo pleasures and a crazy Liv Tyler?), Cowboys and Aliens* –no comment- (2011).
  • What if…Abraham Lincoln was (secretly) a VAMPIRE HUNTER?….(Abraham Lincoln Vampire Hunter * 2012)
  • And, what if…. IN THE SAME TIME, Abe Lincoln chased Zombies*?  (2012)(I think he might have had a seizure, if not already dead, and certainly had turned in his tumb)
  • What if…there is no proper script or plotholes or unsatisfying endings? 2001 : space odyssey (yeah, I know, you hate when I say that, but have a second look), Indy and the last Crusade( I know, I know, yet, plotholes around), Barton  Fink (sorry, ending’s weak)

* Oh God, someone REALLY greenlighted that, you know, and put MONEY into it, and INFLICTED it to the world!

So long, folks, I have to find a greenlighter for my 15 min-script in which :

the protagonist gets a tip from a spaceship alien commander that his mother is the reincarnation of the American Pie (eaten by Lincoln in a theater) made of Potato slices found in the Tumb of Bigfoot, rescued by Indy while en route to the dentist for his pet Shark JAWSY the 6th, and that’s disturbing fact, because he tries to to fight his growing inner apetite (haha) for fame  in participating in the “Yukon contest of the tough guys of the Woods” :  being able to eat 999 fries in one mouthful (haha, again). Being connected with/to a potato mother presumably still alive in the stomach of someone (brought back to life per thunderstorm), the stakes are high and the obstacles, numerous. Will he burn out? (hahaha) .Good idea, hu?

Floreva

PS : For science cum-what if… : http://what-if.xkcd.com/13/ (ANSWERING YOUR HYPOTHETICAL QUESTIONS WITH PHYSICS, EVERY TUESDAY)

 

 

 

Sherlock and me

03 Wednesday Oct 2012

Posted by in Creating, TV Series, Writing

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Sherlock.

 What? (now, really…)

It’s obvious. Sherlock Holmes. Sherlock and you. Sherlock and us. Sherlock and the industry. Sherlock and me. We like Sherlock & the industry LOVES him.

As for me, I confess, I am a fan. I am a great fan, though I never enrolled in any Holmesian club (maybe one day?).

In 2010 BBC produced a new theme on an old classic. The modern take on the  TV series,  conceived by Steven  Moffat and Mark Gatiss on a train while en route to a filming location in Cardiff, was bound to gain the affection of fans as well as neophytes. Sherlock, the much beloved sleuth that popped out of Sir Arthur Connan Doyle’s industrious mind got a dab of freshness and a makeover that left the audience astounded by the quality achieved.

The narrative is not news, of course (I refer to Moffat’s 2007 previous piece of art, “Jekyll” which I recommend you watch), the construction is rigorous, the script is perfectly written (I read one, it’s just what we oddjobbers dream to write), and the style is as immortal as Conan Doyle’s. Narrative finds please the modern watcher who has already experienced high photography quality, graphic novelties and inlays of modernity in the screen (remember, for instance, how Matrix had opened the path to perfectly trimmed slow motioned scenes). And the actors’ performances please our sense of comparison as they are as equally good/perfect/wonderful/impossibly amazing (choose) as Jeremy Brett and David Burke & later Edward Hardwicke. Benedict Cumberbatch is a unique & definitive Modern Sherlock, just as Brett was the ultimate period Sherlock. And Martin Freeman is just above all the Dr Watsons we’ve seen . Rupert Graves is this admiring Lestrade Sir Arthur described  in the books and Andrew Scott is good news as Moriarty, pleasantly mad.

Netflix uploaded the Sherlock Season 2 recently, and last week I indulged in watching the 3 episodes in a single row. You think I am addicted? Well, ahem…

You see the show and you tell me if the whole thing isn’t anything but brilliant.

(Who else can say : “Uh. Breathing. Breathing’s boring.”, and makes you feel he really thinks it? Sherlock cum – Berbatch)

I’m hooked, I’ve turned the last scene in my mind hundred of times (in my sleep, thank whoever is to be thanked, because I have no time in daytime for such amusement, pages need to be inked and written, job must get done , contests participated in and publisher provided publishing with material!). I WANT TO SEE WHAT HAPPENS NEXT!!!!

The script writers have fulfilled their duties. The cliffhanger is teasing, audience skyrocketed, and we crave for more episodes.

This is currently one of the best shows to learn from, when you are a screenwriter, a director of the photography, a credits designer, and SFX creator (unless you care for BIG, BOLD, UNNECESSARY, or UNSUBTLE SFX). Not in order to duplicate, of course. To fuel creation and align to such excellency standards.

I had to divert my attention from Sherlock to reinvest my own projects and current works.

Sunday evening, I discovered Miranda Hart’s show ( I had a good laugh), and I liked it so much I ordered the DVD on the spot. (now, talk of a British TV series addiction). Very visual and known slapsticks, but who cares? Old tricks, you know… etc…etc…Have a look.

http://www.youtube.com/watch?v=UTf17cmPl0I

Pleasant day to you, dear readers. The 1st page of that short-film script awaits me…

Floreva