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Tag Archives: Johnny Cash

That’s entertainment.

19 Wednesday Sep 2012

Posted by Floreva in Movies, Writing

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entertainment, hero, Johnny Cash, Motivation, movies, screenwriting, Walk the Line

This morning, I went for a walk with some friends and the subject of movies came up. Tonight, I reflect on our conversation…

I’ll try to explain a little more what we talk about when we talk about the satisfaction induced by a good movie.

 

TV series,  Movies,  Plays… That’s entertainment and we love that. Why? Why do we love going into a dark room filled with strangers to watch people we are not even acquainted to, make their show for us? And why are we pleased afterwards? (I talk here only of good quality time, ok?)

We are especially pleased when our expectations -most of which we are not fully aware as they generally lie in our unconscious- are met.

We are satisfied and content when the characters are consistent, clearly established for what they are (Hero, Romance, Nemesis -stands between the hero and his goal achievement-, reflection -supportive  to the outer motivation) and the plot carefully built and conducted.

We are satisfied and happy when we can anticipate what’s next, but not too much. We love surprises (well, good ones only).

We are satisfied when action is moving at a pace we can follow (not too fast and not sloppy).

We are satisfied when the dialogues are intelligent, funny, or memorable. (We, silverscreen and telly nerds, LOVE to quote our favourite heroes)

We are satisfied when we can adhere to the inner or outer motivations or the hero and  when the stakes seem plausible and rise until becoming unbearable. (and better, when the situation we once experimented, or someone we know has, obviously not the case when the world needs to be saved by Superman)

We are satisfied when we can adhere to the means the protagonists  choose to resolve their conflict(s) -driven by outer/inner motivation- and finally achieve their goals (even if it’s a little dirty secrets, look at the success of Dirty Harry or Dexter, he is a SK & mental, for Christ’s sake!).

We are satisfied to allow ourselves to grieve upon the difficulties they encounter and being  upset to see them almost (almost) ready to let go of the fight/quest/willing-to-change. We are satisfied when we see them being THAT close to drift from  their love/ goal/personal growth/saving of the world and  finally kick bottom to be up again & to regain the stamina to continue STRONGER.

We are satisfied when they WIN. Or justice is done, conflict is resolved, truth revealed, and happiness or healing on the way. Unless it is the thing to understand that is – AT LAST- understood.

We are supersatisfied when the twist ending (when there is one) is strong, astonishing and brilliant, (exactly the opposite of what we expect).

Because that’s how we, humans, are built. And that’s what we need.

All we need is hope. And all we hope for is that our needs are fulfilled. Magically, we have a powerful tool to obtain the results: we can pick a movie and be fulfilled with whatever we need to keep us going on with our life and our responsibilities ad duties : joy, happiness, motivation, beauty, motive for thinking, determination, hope, courage, passion, understanding, knowledge, a break in our daily routine, a brain-spa, a good laugh, a good thrill, a good fright…in 3 words : a good moment.

As we go to the theaters to make that magic possible, for most of us, what we crave above all is a damn good screenplay.

What is a screenplay? It’s the body of the movie (or of the TV series episode), the structure, the rules organising the whole thing and keeping from falling apart, or ending with that awkward feeling of discontent, frustration or anger, because your need or your expectation has not been fulfilled…

Yes, a story follows rules, it’s not just -so-stories (;-p Rudy K.)

Long story short:

The HERO has a CONFLICT to resolve (INNER or OUTER).

(Example : in Walk the Line, Johnny Cash has INNER CONFLICTS (lack of self-confidence and struggle to become himself/ his growing love for June/destructive behavior) and OUTER CONFLICTS (an abusive father who prefers his eldest son and despises his son JR (Johnny Cash) & big bro loves his lil’ bro JR/ Mother says nothing/ his wife and children vs. his touring the country and his affairs/ his dealer tracking him down) to overcome.)

He has a MOTIVATION :  INNER  and OUTER (tangible) to change the situation 

(Example : Walk the Line. INNER MOTIVATION : getting married/ then to win June’s love/ deal with his past/become himself, OUTER MOTIVATION : to break free from addictions/ come to terms with his father’s rejection/record songs.)

The HERO has GOALS to achieve and they sustain his MOTIVATION :

(Example : Walk the Line. Johnny Cash’s GOALS are  : to overcome his addictions/become a singer/tour with June, Elvis and Jerry Lee.)

The HERO must deal with an OPPONENT (NEMESIS character) or ADVERSITY, preventing him potentially to achieve his GOALS. ADVERSITY must be visible and identified (The CIA, the terrorists, the police, a disease : does not work , even if a collective danger/obstacle,  they must have a face, a name and they must confront the HERO individually in the end, disease can be personified by a disillusioned nurse or physician, or patient).

(Example : Walk the Line. MULTIPLE NEMESIS : Johnny Cash has to divorce his wife in order to be with June, his father must learn to respect him, the dealer must be well… dealt with, authorities must be convinced to let him play in prison)

The HERO can find help or support along his journey (REFLECTION character), even love (ROMANCE character).

(Example : Walk the Line. REFLECTION : Jerry lee, Perkins & Elvis. ROMANCE : his wife and then June)

In the end, the CONFLICT is pacified, the MOTIVATION is resolved (the hero has failed or succeeded at achieving his goal(s) , in every case, the HERO has gained personal growth, his journey is complete.

The end. That’s all folks! 

What movie is your favourite and why?

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Route 66, with a drop of milk, please

09 Wednesday May 2012

Posted by Floreva in Cafés, Caffeine, Life in style, Movies, Places

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Tags

50's, cadillac, Coffee, Creedence Clearwater, Diner, Dust Bowl, Elvis, Grand Canyon, Grapes of Wrath, Jack Kerouac, John Ford, John Steinbeck, Johnny Cash, Mother Road, On the Road, Route 66, Travelers

Fellow travelers, cofffee -on -the -go amateurs and connoisseurs, Easy Rider fans, wanderers of the world….

….YOU…who have a link, special,  accidental or else, with the Mythical Route 66, I’ll share this with you.

Before boarding that helicopter…..

….to tour the Grand Canyon…

…take time for a coffee in Williams, Arizona.

This train reminded me of how the Mother Road had so strongly embodied, in the 30’s, the search for a better living  during the Dust Bowl for thousands of farmers.

They were heading West  towards the sunset, (what a significant symbol, marching towards the last ray of light), just as the Pioneers had done before them.

I remembered the poignant dignity of a struggling Tom Joad ( young Henry Fonda) in the movie “The Grapes of Wrath” .

And then, the splash of colors of neon signs across the small town set my mind into another mood, more joyful and happy. Now it was rockn’roll allover, and Jack Kerouac was riding next to me, reciting immortal sentences.

On a portion of the Historic Route 66, diners proudly claims their attachment  to a long bygone era.

I decided to choose whichever was open that day.

Route 66 Diner was closed, although promising.

And Twisters Soda Fountain had no food to offer.

But they have Elvis.

And a Cadillac(  it’s not an unbalance in colors, it’s really pink). Really beautiful too.

So, the third won the deal.

Black & White checkered linoleum, red and  chrome chairs and booths. Huge Cola Soda ads. Neon, coffee, cream soda and burgers. Welcome back in the 50’s.

Coffee was overly nice, light and flavoured. Could have been a bit more muscled by using stronger beans, though.

All prices, on the souvenirs, postcards, magnets, even on the menu, bear the homage to the Mother Road. Look closer. All prices are $* and 66 cts.

This is the Route 66 Café, pal.

Other little time capsules such as that one can be found along the Main Road of America.

Follow the brown signs “Historic Route 66” and the white shields painted on the road, watch “Billy Connolly’ Route 66”, episodes of the late show Route 66, order an ice-cream soda at the soda fountain, have Creedence Clearwater’s Midnight Special or Johnny Cash blasting in the cd player and just… do… it.

Cruise.

Twisters and the Route 66 Café
417 East Route 66
Williams, Arizona 86046
(928) 635-0266

John Steinbeck Novel The grapes of Wrath, 1939, won the Pulitzer

John Ford Movie The Grapes of Wrath, 1940, 20th Century Fox, won the Academy Award for best director.

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